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Essential Ear Training for Today's Musician
Download Essential Ear Training for Today's Musician
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(Berklee Guide). The Ear Training curriculum of Berklee College of Music is known and respected throughout the world. Now, for the first time, this unique method has been captured in one comprehensive book by the chair of the Ear Training Department. This method teaches musicians to hear the music they are seeing, notate the music they have composed or arranged, develop their music vocabulary, and understand the music they are hearing. The book features a complete course with text and musical examples, and studies in rhythm, sight recognition, sol-fa, and melody.
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Product details
Paperback: 144 pages
Publisher: Berklee Press Publications (August 1, 2000)
Language: English
ISBN-10: 0634006401
ISBN-13: 978-0634006401
Product Dimensions:
9 x 0.4 x 12 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
18 customer reviews
Amazon Best Sellers Rank:
#188,759 in Books (See Top 100 in Books)
This book teaches the moveable do system of solfege by having the reader do sightsinging from musical notation. Solfege assigns syllables to the 12 notes of a chromatic scale. I definitely think sightsinging is a good way to train your ear, but this book is not a good introduction to ear training. There is no CD, so it's hard for you to know if you're doing it right or not, and there's also not a lot of explanatory text after the first few pages.Everything is in musical notation. There are rhythmic exercises (clap and sing along to musical notation, but with no pitch), sight recognition exercises (naming the solfege functions with musical notation, without rhythm), sol-fa studies (singing the solfege symbols without musical notation), melodic studies (sight-singing from musical notation, with rhythm)The workshops increase in difficulty by introducing new keys, new time signatures, and new scales. You start with major scales and then move to minor (melodic, real, harmonic), and then go into modes.I think the useful idea of this book as that you should sightsing everything to establish your inner ear. But you don't need this book to sightsing, you can do that with any introductory book that teaches you to sight-read on your instrument, once you understand the solfege system.A better book is Ear Training for the Contemporary Musician, which also teaches moveable do solfege (although they don't call it that), and comes with a CD of exercises where you have to transcribe scales, chord progressions, and so on. It also has a lot more explanatory text which really helps explain some basic music theory concepts.Another book I've just come across which I like (and has two CDs) is The "Real Easy" Ear Training Book which focuses on hearing the chord changes to popular songs and is a good followup to the book by Wyatt, Schroeder, and Elliott.
I can see this book being very usefull as part of a university degree, in the classroom, with a teacher and classmates to help out. The theory covered on the first chapter is small but good quality overall. The exercises are interesting and well explained.I found really hard to take advantage of this material on my own. I couldn't measure my progress and correct my mistakes properly. In the end, I found that Hearing and Writing Music: Professional Training for Today's Musician (2nd Edition) was much easier to study on my own.
This is a great book for visual-ear training.Step by step, the exercises take you to the point of hearing what you're reading!There are no "blind tests" though; maybe a CD including some audio drills could be the perfect complement.
Every music teacher and musician should have this book it's perfect for practicing rhythm reading, ear training, and sight singing.
Missing tracks records. You should work very concious or you just going to waste your time. Whithout tracs, thi book is recomended to advanced trainers
good
I love this book!!
same book my teacher had..same info..very satisfied
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